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Burns ... costume dresser Amanda Fityus ... costume coordinator Jane Fityus ... seamstress Coco Frizzell ... costume standby assistant Sophie Magasiva ... costume standby Sara Whittaker ... costume dresser Editorial Department Grant Baker ... head of images Ruby de Beus ... assistant editor Reid Douglas ... data manager Joseph Grigg ... post-production coordinator Kim Hickey ... colorist Jemma Lee ... assistant colourist Andrew Mortimer ... on-line editor Jesse Murray ... data management Brittany Spencer ... data management Matt Wilshere ... on-line editor Location Management Damian Nash ... onset location assistant Damion Nathan ... location manager / location scout Jasmine Nathan ... location coordinator Casey Tier ... onset location manager Music Department Fiona Perry ... music supervisor Script and Continuity Department Timothy Balme ... script editor (as Tim Balme) Katia Collins ... script coordinator Janine Frizzell ... script supervisor Transportation Department Hailey Waugh ... transportation captain Additional Crew Finn Ambridge ... production assistant Fraser Ambridge ... production assistant Mike Aranui ... unit assistant Morgan Baker ... production secretary Tania Bettany ... financial controller Karen Bieleski ... network executive: TVNZ Rae Fox ... on set production assistant James Griffin ... head of development Kristina Hard ... publicist Chelcie Harman ... production coordinator Lee-Ann Hasson ... production accountant Heather Jensen ... legal executive Jo Johnson ... development executive Rachael Keereweer ... head of communication Tayla Millerchen ... assistant production accountant Danny Tenheuvel ... on-set safety officer Conal Thompson ... legal and business affairs Jessica Wiseman ... legal and business affairs France Karen Wendland ... casting director: Germany Costume and Wardrobe Department Damion Saliani ... key costumer (uncredited) Carol Wong ... assistant costume designer (uncredited) Editorial Department Louis Casado ... assistant editor Ross Cole ... colorist: digital color correction Kurt Reid ... colorist: dailies John Nicholls ... additional editor (uncredited) David Tarnawsky ... assistant editor (uncredited) Location Management Daniel Dacomo ... location manager: Nice Neville Hadfield ... location production assistant: reshoots Tim Owen ... location manager Boris Radivojevic ... location production assistant Stanley Lidon ... assistant location manager (uncredited) David Piechaczek ... location unit manager (uncredited) Music Department Jamie Forsyth ... music arranger: theme music Denis Furne ... music publisher David Menke ... music editor Florian Monchatre ... music mixer Marie Sabbah ... executive music producer Script and Continuity Department Angela Mastronardi ... script supervisor Trevor Finn ... script coordinator (uncredited) Aurelia Fourcaut ... script supervisor (uncredited) Laurence Lallias ... script supervisor (uncredited) Transportation Department Kevin Paul Brown ... 2nd unit captain Aubrey Christopher ... driver: cast Dennis Dolcetti ... driver: cast Aleck Duncan ... production driver Josef Dytrych ... personal driver: Chris Vance Glenn Hughes ... picture car captain Bruce McLean ... transportation coordinator Frank Mizzi ... transportation captain J.P. O'Donnell ... picture car wrangler Carl Severin ... transportation co-captain Philipp von Bremen ... transportation captain: Germany Lee Bryan ... picture car coordinator (uncredited) Ted Nobles ... transportation co-captain (uncredited) Additional Crew Carl Binder ... consultant Rae Ellen Bodie ... dialect coach: Andrea Osvart Raechel M. Crossen ... legal consultant: Atlantique Productions (as Raechel Crossen) Katie Ford ... story editor Anna Fukuda ... assistant to producers: Atlantique Productions Sonia Grazian ... production accountant Sandy Kellerman ... adr coordinator Tilman Kolb ... production controller: European unit Bernard Lamy ... financial controller: Atlantique Productions Mark J. Levenstein ... production executive Sarah Mulberge

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Olsen, Paul Rudd, Emily VanCamp, Marisa Tomei, Tom Holland, Frank Grillo, Martin Freeman, William Hurt, Daniel Bruhl.Additional Cast: John Slattery, Kerry Condon, John Kani, Hope Davis, Gene Farber, Florence Kasumba, Alfre Woodard, Jim Rash, Stan Lee, Joe Russo, Damion Poitier.Where to Watch: Apple TV.4. Boogie Nights Boogie Nights is a period drama film set in 1970-80. Based on the mock-documentary short film The Dirk Diggler story by Paul Thomas Andreson, Boogie Nights is about a young teenager who works as a dishwasher at a nightclub.One day, that boy, Dirk, was founded by a porn director Jack Horner who made him a star of adult films. Dirk was at the peak of his career when he got addicted to drugs and became an egoist, which also became the reason for his fall. The film mainly focuses on the Golden Age of Porn.Boogie Nights.The movie received positive reviews for showing ’70s satire so perfectly. It was also nominated for 59 awards and won 33. Boogie Nights also made it to the list of many Top 10s. The music was also acclaimed.Year: 1997Genre: Indie DramaDirector: Paul Thomas AndersonCast: Mark Wahlberg, Julianne Moore, Burt Reynolds, Don Cheadle, John C. Reilly, William H. Macy, Heather Graham, Nicole Ari Parker, Philip Seymour Hoffman, Luis Guzman.Where to Watch: HuluAlso Read: How To Watch What Is A Woman Documentary?3. Hotel Rwanda On occasions, Hotel Rwanda was compared with Steven Spielberg’s Schindler’s List, but the movie is based on the true events of the Rwandan genocide of 1994. The film is seen through the eyes of the Hotel Manager of Hotel des Mile Collines, Paul Rusesabagina, who gave refuge to thousands of people.The film focuses on every aspect of those 100 days of the genocide, i.e., political aspects, corruption, and violence. The movie gloomed at the box office and. Resources Tools I use and highly Endorse. Damion's Rules for Investing Biz ~~ Damion's Rules for Investing Biz ~~ QRP Report. Damion. Damion. Damion is a casual script face derived from some typical mid C20 casual typefaces such as that drawn by Max Kaufmann in 2025 for American Type Founders. Damion

Damion Stevenson - Tool Crib Coordinator - Meritor - LinkedIn

Executive produced by Sean Combs, Voletta Wallace, Mark Pitts, Stanley Buchthal, and Emmett and Brendan Malloy, Biggie: I Got A Story To Tell is an intimate look at Christopher Wallace the man through the eyes of those who knew him best.Through rare behind the scenes footage shot by long-time friend Damion “D-Roc” Butler and interviews with close family and friends, Biggie the rap superstar gives way to Christopher, the sometimes quiet and shy son and friend.The film also takes us on a deep dive into the many influences that helped him become the rap superstar he eventually became, from his Jamaican heritage and his resulting love for country music and his relationship with his grandmother and musician uncle (who both appear in the film), to his relationship with jazz musician and mentor Donald Harrison which would influence his unique flow and cadence.We are also given a front row seat into his ascent from street corner crack dealer and rap battler who wasn’t always sure of himself and his budding rap career to songwriter and hip-hop superstar. Along the way, we see him grappling with the everyday pressures of being a young father, dealing with his mother’s battle with breast cancer, his friction with former friend Tupac Shakur, and having to top his successful debut project Ready to Die. This film and Biggie’s battle with uncertainty will be a guaranteed source of inspiration to anyone who is on the journey to pursuing a dream and trying to figure it out.While the film eventually tackles his murder, it is more so a celebration of his life and is a reminder that while the world loved and lost one of the greatest musical talents of all time, there was a small group of people that loved and lost the man they simply knew as “Christopher” or “Big”.Biggie: I Got A Story To Tell is available March 1st on Netflix. Until then, click the header to check out the trailer.Related article:INTERVIEW – WU-TANG’S RZA TALKS SECOND CHANCES AND CUT THROAT CITY FILM 1 through 50 and enjoy the vast majority of the classic storyline and side quests during their journey. […] The second core rule is that subscribers should not experience any degradation of their gameplay experience. Those of you who are still paying a monthly fee should still get the same gameplay experience and you won't find anything taken away from you and the gameplay that you currently enjoy. Furthermore, we really wanted to be sure that in no way would subscribers feel they needed to make purchases from the Cartel Market in order to be competitive in the game."―Damion Schubert[96]With the Free-to-Play system, there are restrictions that separate players from Subscribers in terms of gameplay, though many of the restrictions can be bypassed or removed through consumables that can be purchased on the Cartel Market. Players who purchase the game, a Cartel Coin Card, or anything from the online store are granted Preferred Status, which removes some of the restrictions.[97] Any player who has ever paid a monthly subscription at any point in time is automatically granted Preferred Status.[96] Free-to-Play gamers can only access the Sprint and Emergency Fleet Pass abilities at Level 10, and are unable to access bank storage or Secure Trading without purchasing Cartel Market consumables. Players can only train one Crew Skill, have a 200,000 credit cap, and have a restricted chat system as well as access to only two item listings on the Galactic Trade Network. Free-to-Play gamers can only receive in-game mail, and can only have two character slots with only three species options.[98]Preferred Status players, on the other hand, can access the Sprint ability immediately, and are permitted two Crew Skills and access to the Bank system as well as a credit cap of 350,000. Preferred Status also grants access to Secure Trading, full chat, mail, five Galactic Trade Network listings, and six character slots instead of two. Both Free-to-Play and Preferred Status players are unable to access Operations, and can only play five Warzones, three Flashpoints, and three Space Missions per week. They possess a reduced inventory, a longer cool-down on the

Damion Freeman - Store Manager - Northern Tool - LinkedIn

Content that would occur in the aftermath of the game, as the writers knew that the Empire would have to eventually collapse and they wanted players to recognize the fact that the two would eventually merge into the Republic of the prequel era. Other than the pureblood Sith who occupied the highest levels of Imperial society, the vast majority of the Empire's population was made to be Human in order to contrast the relatively diverse Republic.[48]Making the classes"I've been trying to make massively multiplayer games for twenty years. There is a very real problem in actually having a heroic arc [in which you] can grow from being a fledgling to fighting truly epic battles against epic adversaries. In Star Wars you start as a Padawan, you grow, you fight bad guys, they feel tough, you feel heroic. By the end of the experience you're fighting AT-ATs and rancors and these other big experiences that come from the Star Wars universe. Star Wars is about the only thing that even comes close to fantasy in terms of providing a great heroic arc."―Damion Schubert, BioWare Principal Lead Systems Designer[48]Once the general environment and conflict of the game was in place, the writers and designers then began to work on the character classes. Inspired by the origin stories from BioWare's Dragon Age, the writers decided early on that each class would receive its own unique story that would span the entirety of the game. The designers and writers soon realized that this would require an immense amount of content for each class; with the decision to grant each class their own ship, companion characters, and gear, the developers decided to limit the number of classes to eight. However, each class would be split into two distinct advanced classes, resulting in a total of sixteen different classes from a gameplay standpoint but only eight storylines. In creating concepts for the classes, the developers asked themselves what Star Wars fans would expect and what MMORPG fans would expect. The team quickly abandoned the idea of basing the classes on the traditional RPG trio of healer,

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Damion - Name Meaning and Origin

Genix, presents ‘199X’ (Chill Edition): a reimagining of his debut artist album, '199X', featuring chillout, ambient and drum & bass remixes from the man himself.A love letter to rave culture, ‘199X’ is a departure from the sound that Damion Houchen, who we affectionately call Damo, is best known for. Through the late 2000s and 2010s, he caught the ear of Armin van Buuren and Paul van Dyk with his textured, melodic take on trance. He secured releases on both Armada and Vandit.Genix arrived on Anjunabeats in 2010 and immediately became a mainstay in Above & Beyond’s sets with tracks like ‘Aura’, ‘Destinations’ and ‘Black Water’ (the latter written with regular touring partner Sunny Lax). From those origins, Genix has blossomed into a mainstay of the trance scene.‘199X’ dropped on the label in September 2021. Since the album’s release, Genix has taken ‘199X’ to Above & Beyond’s Group Therapy 450 celebrations at The Drumsheds London, Dreamstate, and our recent label shows in London and Miami. Tracks from the album have been supported by Above & Beyond, Armin van Buuren, Gabriel & Dresden, Darude, Joseph Capriati and more.While making '199X’, Damo was also listening to a lot of early chillout staples. He recalls,“During the pandemic, I had a lot of time to listen to music. I’ve always loved chillout and downtempo music, I find it great to relax and wind down to. It reminds me of laying on the beach in Ibiza, listening to FC Kahuna, Hayling, Massive Attack and some of the chill out remixes Michael Woods used to make."Shortly after finishing '199X', he set about reworking it entirely. He swapped acid bass riffs and pounding kick drums for calmer textures and soundscapes."I thought it would be great to try making some different styles too, push my boundaries a little and I feel it has made me a better producer for it. Honestly, I’m really happy with how it has turned out, I think musically, it’s the best body of work I’ve ever produced.” - GenixGenix ‘199X’ (Chill Edition) is out now on Anjunabeats.