Ableton resampling

Buckman Posts: 549 Joined: Mon Aug 16, 2004 1:42 pm Setting a Recording folder? Can I ask where resampling audio and general recordings go, once I record them?Is this all set up in the Preferences > Temporary Folder for any recordings or indeed resampling in the timeline (recordings?)I just wanted to make sure as I always record into an editor instead of the Ableton timeline itself so I can cut and crop loops perfectly.Also I have a very small internal SSD drive which is just for Mac OS and programs which I want to bypass for any audio recording, as it will fill up straight away.So to check, is Preferences > Temporary Folder, where you set say my external 3TB drive whereby all audio/renders/recordings/resamples 'live' so my small internal SSD is untouched? Chancery Posts: 159 Joined: Mon Dec 14, 2020 9:59 pm Re: Setting a Recording folder? Post by Chancery » Wed Apr 14, 2021 6:20 am Yes, your assumptions are correct.From the manual:17.8 Where are the Recorded Samples?Recorded samples are stored with the current Set’s Project folder, under Samples/Recorded.Until the Set is saved, it remains at the location specified by the Temporary Folder preferencewhich is found in the Preferences’ File/Folder tab. To make sure Live will not run out of disk spacewhile recording into a new Set, please make sure the Temporary Folder is on a drive/partitionwith sufficient free space. buckman Posts: 549 Joined: Mon Aug 16, 2004 1:42 pm Re: Setting a Recording folder? Post by buckman » Wed Apr 14, 2021 6:33 am Thank you. So I guess if I don’t save or name my Ableton project and just mess around with some ideas and close the program, that the audio recorded in the Temporary folder just gets deleted on exit closing Ableton?So I know that ideas I have scrapped will at least delete the audio so it’s not taking up space on any drive that I set the temporary folder Chancery Posts: 159 Joined: Mon Dec 14, 2020 9:59 pm Re: Setting a Recording folder? Post by Chancery » Wed Apr 14, 2021 7:04 am If

Even if used with moderation.To keep your CPU usage under control, make sure you’re using audio files whenever you can. MIDI files should only be used for playable instruments; if you want to perform a sick Operator lick with your MIDI keyboard while on stage, make sure to include a MIDI track with your Operator patch. But don’t use MIDI tracks that are just sitting there—these must be replaced by audio tracks.In Ableton Live, you can easily replace a MIDI track with an audio file by resampling it or hitting ‘Freeze Track,’ followed by ‘Flatten.’One additional CPU-saving tip that’s surprisingly useful is to delete all unused Stop buttons. In the live session view, the boxes where your clips go already come with a Stop button. You can erase unnecessary Stop buttons by pressing Ctrl+E. It seems trivial, but it’s a very effective way of saving CPU usage without sacrificing any crucial element of your live set.Have a Backup!The “evangelists” of analog equipment often boast about the fact that computers tend to fail at the worst possible moment. While there’s some truth to it, this shouldn’t prevent you from using a Mac or PC on your live performance.A good way of making sure that you’re prepared for any possible errors is by setting up a backup. Macs tend to be more trustworthy, but they too are susceptible to bugs and crashes. Having a plan B is always a good idea, whether it’s a second computer with your live set already loaded or a simple audio track connected to the venue’s mixer.Using Max4Live to Customize Your Live Set Even FurtherRemember when I told you that Ableton Live’s stock plugins are both light on CPU and extremely powerful? Well, the same applies to most max4live devices, which can help to take your live sets to the next level.There are thousands of Max4Live tools available on the web, and many were specifically designed for live performances. Websites such as Ableton Drummer offer a complete catalog of free Max devices for Ableton Live.Their Note to Map Collection, for instance, allows you to more safely control your MIDI mappings by accessing a MIDI matrix and setting up MIDI remote buttons.Some Max4Live MIDI effects such as Note to Chord work as an extension of Ableton Live’s built-in MIDI effects, and let you play chords with greater precision.Tips When Building a Live Set for Ableton LiveAfter years of performing Live with Ableton, I have encountered a series of useful tips and tricks that have guided the way I develop Ableton projects for the stage. These shouldn’t define the way you build your live set, but they can sure come in handy.Always keep track of your filesMy live sets

Hey Borg, thanks for replying .I think i mis-explained myself. I didn’t boost either of the two signals directly, what I boosted was the summed channel after they should have canceled each other out. Let me clarify:Track 1 contains an audio sample (Audio 1) in a completely empty template. no effects, no plugins, no modulation.I create Track 2, set it to Resample, and record Track 1’s output through the master.After recording, I set Track 2’s output to Master (no longer resampling). Now:Track 1 goes to the master.Track 2, which contains the same signal as Track 1, also goes to the master.On Track 2, I insert a Utility plugin and invert the phase. At this moment, both tracks cancel each other out completely at the master, resulting in silence.the issue is that after confirming there’s no audible signal at the master, I insert another Utility plugin on the master channel and boost the gain. At that point, a small amount of residual audio becomes noticeable. This residual audio was maybe present but masked due to its low level. Boosting the gain simply revealed it, which IMO shows that the signals aren’t perfectly identical,there are extremely small differences.anbd btw,, my routing is set up exactly as described. Track 2 is no longer resampling,it’s routed to the master.There’s no modulation, LFOs, or random velocity in this test. I used a blank template to eliminate any external variables.I encourage you to try this experiment yourself.... In other DAWs, this doesn’t happen,the signals cancel perfectly. Why is it that in Ableton, there are these tiny differences?

Hi my names Ross and im a music producer/label owner/dj from a place called in Elgin in the North of Scotland. The production park is a place where i get to express myself creatively and share my music production sessions with you guys on a daily basis. From sound design to ableton hacks to grooves to resampling i cover many aspects in production in the hope that i can inspire other creatives out there to push the boundaries and find their own sound.Artist BiographyRoss Geldart is an electronic music producer, DJ, and passionate educator. Inspired by the influential sounds of Sasha and John Digweed of the Global Underground era, Ross embarked on his DJing journey in 1998. After a hiatus from electronic music, he rediscovered his love for the craft and dived into music production in 2016.In 2017, Ross achieved his first major breakthrough with the release of his EP titled "Pummakale" on Abstract Space Records from Russia. Since then, he has become renowned for his distinctive Progressive House style, gracing the catalogues of esteemed labels such as ICONYC, ICONYC Noir, Deepwibe, Sky Sine, AH Digital, Keep Thinking Music, Dynamica, and Massive Harmony of Argentina.Notably, Ross has had the honor of remixing for French legend David Duriez from Brique Rouge, one of France's most prominent underground labels. His talents have also caught the attention of Paul Oakenfold, and he recently signed an original EP to Oakenfold's legendary Perfecto Black imprint.In addition to his accomplishments as a producer, Ross is the founder of Layer Caked Records, a progressive house label featuring a roster of over 50 talented artists from around the globe, including renowned names like David Duriez, Ewan Rill, NACRES, and Lexicon Avenue. With Layer Caked Records biggest release titled "Moonshine," featuring progressive house legend Lexicon Avenue and Ewan Rill which was release in May 2023.Ross's music has received widespread support from industry heavyweights such as James Zabiela, Timo Mass, Sasha, Danny Tenaglia, Anthony Pappa, Animal Trainer, Paul Oakenfold, and Steve Parry, among others.Ross is also a dedicated educator, sharing his expertise with aspiring artists online. Through his teaching, he guides and inspires music producers, offering valuable insights and techniques within Ableton Live, a software he specialises in. Ross also creates engaging content centered around music production, providing resources and tutorials to help aspiring artists elevate their craft.With an unwavering commitment to hard work, perseverance, and a deep connection to

Select the quality and size of the image. By default, JPGs export at High quality, while PDFs export at Medium quality. This setting can be changed by clicking in the Export section of the right sidebar.Image resamplingWhen exporting to JPG (JPEG), PNG, or PDF, you can choose an image resampling option. Image resampling helps maintain the quality of your exports and is useful when exporting images to different sizes or when exporting a vector design to a raster format.When you scale an asset, the resulting export will have either fewer or more pixels than the original. To recreate the image, Figma uses an image resampling method to determine the color of each pixel.In Figma, there are two image resampling options:Detailed (default): Best used when optimizing for detail in exports. For example: High-quality images, vector art, and assets with gradients or drop shadows.Detailed uses an image resampling method known as “bicubic sampling”. This method looks at each pixel and uses a weighted average of at least four surrounding pixels from the original image to use for the export.Basic: Best used when optimizing for hard lines in assets or for assets that don’t need finer details. For example: Icons, logos, low-resolution images, and pixel art.Basic uses an image resampling method known as “nearest neighbor sampling”. This method looks at pixels from the original image and finds the closest matching pixel to use for the export.To choose an image resampling method on an export:Click Advanced export settings.Choose an option from the Image resampling dropdown menu.Include bounding boxAvailable for text layers only. When enabled, Figma determines the size of the export by the text layer's bounding box. If the bounding box is larger than the text, Figma will include the empty space in the export. If it is smaller, Figma will trim and discard the portions of text that fall outside of the bounding box.When disabled, Figma determines the size of the export based upon the dimensions of the text itself. Figma will trim and discard any space between the characters and the bounding box.Include "id" attributeWhen enabled, Figma adds an "id" tag to the SVG's metadata. This allows JavaScript to easily access the element and can also be used to point to a specific id selector in a style sheet. Figma bases the "id" on the object's name in the Layers panel.Outline textThis setting is enabled by default if at least one text